How to enjoy your midlife crisis

37 going on 17
37 going on 17

I think I’m having a midlife crisis. And I’m loving it. Here are a few signs signs: I have redyed my hair with purple streaks. I have started going out a lot. I have developed appetites that could be described as cougar.

My driver’s licence, if the cops pull me over, might indicate that I’m actually 37, but I think I’ve been acting more like I’m 27. Or 17.

I choose not to call it a crisis, but a renaissance. Over the past 12 months I have felt I’ve had a reblooming. I’ve rediscovered all my favourite things. I’m more confident than ever. And I am embracing life like a long-lost friend.

What is going on? Last year I officially entered my late-30s. While more of a gnaw than a shock, it was a strange experience, like trying on an outfit that didn’t quite fit. Forty bobbed on the horizon like a Goodyear blimp.

Some things hadn’t quite been working out and I had to face some big decisions. I wondered where the past 10 years had gone. Life had hurtled by – so fast, I hadn’t been able to admire the view. And yet I felt I was standing still.

In my 20s, I felt like an adventurer, but now I was settled in my hometown contemplating my cat’s next neck scratch. I hadn’t written the Great Universal Novel. There was no husband or kids to speak of (just a very nice ex who still comes over and  fixes things – I call him my “nusband” or non-husband). And life was a little, well, meh.

But on the plus side, no husband or kids!

I decided to look on the bright side and took myself off on a jaunt around the world. It was kind of like Eat Pray Love, but with less praying and more partying. On my adventures I met many inspiring people. In Portland, I hiked to beautiful waterfalls and stayed with a
cat-loving yoga teacher who let me borrow her couch and her cats. In a small town, I bunked in a house full of young men, who played computer games well into the night. I remember thinking, what am I doing? This is ridiculous. But it was a lot of fun.

I took some writing courses and met other frustrated novelists from around the world.

In San Francisco, I went out dancing all night. I’d forgotten how much I loved to dance. In New York, I watched the sun come up over the rooftops in Chinatown talking to a bunch of new friends – who were, shock horror, my age.

In London, I asked my friend, “Am I too old for pink hair extensions?” I didn’t wait for his reply. “Bugger it,” I said, “if I’m going to have a midlife crisis, I’m going to enjoy it.” I’d recently met a punk woman knocking on 60 who still had rad hair and stories of rubbing mohawks with all these cool bands.

The trip reminded me of a lot of things I’d forgotten I loved. When I came home, I tried to keep up the momentum. I wanted to go out and try new things and have adventures and go dancing. So I have been. I’ve met some swell people I wouldn’t have if I’d sat at home with Tim Tams and a tabby. And it’s been a fun ride.

A midlife crisis shouldn’t be a bad thing. If you’re at the top of the hill, stop and admire the view. It’s not about what’s lacking, but appreciating what you do have. And if you really think those things are lacking, well, go out then and get them. It’s never too late.

As usual, I like to take inspiration from comedians – they’re modern philosophers.

Here’s a couple of quotes I enjoyed recently. Ellen DeGeneres: “It must be around 40, when you’re ‘over the hill’. I don’t even know why it’s a bad thing. When I go hiking and I get over the hill that means I’m past the hard part and there’s a snack in my future.”

And Ricky Gervais said: “Got a proper job at 28. Gave it up to try comedy at 38. Decided to get healthy at 48. It’s never too late. But do it now.”

So a midlife crisis might be about discovering a second youth. But it’s much better than that. When you’re older, you realise time is finite, so spend it wisely. Life is short. So embrace every moment. Sometimes that just means embracing a cat. But if you want to go out and dance till dawn, do it. After all, you’re only young twice.

Posted in Adventure, Brisbane, Goals, Life, London, Portland, San Francisco, Travel | Leave a comment

New riffs mend old rifts: Veruca Salt

BACK TOGETHER
BACK TOGETHER

It’s a reunion that no one ever thought would happen – least of all the band involved. Veruca Salt were kick-ass alternative act in the ’90s, a girls-with-guitars band that earned a devoted following with songs like Seether and Volcano Girls, and were always on high rotation on Triple J.

The band was led by Nina Gordon and Louse Post, two best friends in sync and sympatico, who created awesome harmonies on stage while having a ball off.

After two albums, however, the wheels fell off. The group split, not over musical differences, but personal ones when their friendship imploded over relationship dramas. The friends stopped speaking. Post continued in Veruca Salt without Gordon, and Gordon embarked on a solo career, but the dynamic duo were no more.

Until now.

Now 16 years on, they’ve repaired the rift, rekindled the friendship and re-plugged in their guitars. A fresher-than-ever Veruca Salt are back on the road and rocking out with fantastic new songs that sound just as good or even better than their old stuff. They’ve reformed with the original line-up including Gordon’s brother, drummer, Jim Shapiro and bassist Steve Lack.

Excited to share their new sound with the world, the band is coming to Australia this week to revisit some old fans and maybe make some new ones.

“I am really enjoying it,” says Gordon, on the phone from her home in Chicago, with an exhale of genuine enthusiasm. “It is such a surprise to be doing this again. It’s sort of like this little miracle and it’s thrilling on so many levels and from so many angles.”

She says hanging out with Post again feels “shockingly familiar”, bringing back memories of sharing rooms and being on the road for 320 days a year.

“Our senses of humour and our sensibilities, they’re very similar, so we have a great time together. We have this capacity to talk for hours and hours and hours and we always did,” Gordon says with a laugh.

“I remember back in the day we rarely slept because we’d stay up all night talking, whether we were on the road, or on the phone back home in Chicago. Now the same thing happens and we have to stop ourselves, we have to force ourselves to go home.

“We’re having a great time. We’re having so much fun, on tour recently, being on the bus together, listening to all our favourite songs, putting on our make-up, we had a ball.”

Louise and Nina’s friendship repaired slowly. It began with a little email here, a birthday wish there. Occasionally they might send each other songs they liked. Then they sat down to dinner one night and had a “what if” conversation. Gordon had recently seen a reunion show of the band Mazzy Star at the Cochella music festival. Everyone was tweeting and talking about it. It sent some tinglings down her spine and and rumblings through her system. Could Veruca Salt possibly play again?

“I got this pang, this feeling that I hadn’t had, because that was really a closed book, I never considered it. And then all of a sudden I considered it, I was sort of scratching my head, going huh that’s funny, I have this desire to be in Veruca Salt again and play with Louise again.”

They found that not only was their friendship intact but their musical chemistry was as strong as ever. Veruca Salt 2014 have already released two new singles, It’s Holy and The Museum of Broken Relationships. The later song is inspired by an actual museum in Zagreb, where people can hang remnant memorabilia of their broken hearts, Gordon explains. And It’s Holy is a life-affirming song which talks about the reparation of their friendship and the awesomeness of life in general.

“When we first got together we were playing our old songs from our first album. Then Louise played a song for me, a song she had written recently and I was blown away by it and I knew at that moment we had to make a record. We were practising in my basement, and immediately I came upstairs and I said to my husband, ‘Louise wrote this incredible song and I think I want to write music again’, and he was so happy because it had been a while.”

In the 1990s, leading by example, Veruca Salt wrote the kind of songs, like the cryptically amusing Seether, that became unintentional feminist anthems.

“I don’t think that was something we were conscious of originally, certainly in the first album we were empowering ourselves, that’s all we were doing. And empowering each other. We were very conscious of the fact that at the time it was not as common for women to be fronting their own bands.

“We had a history of writing these team fight songs – on our second album there was a song called Awesome that was meant as just a little anthem for ourselves, a Team Salt anthem. So I guess that’s what It’s Holy is in a way, our 2014 version of our own team fight song.”

Now, as well as the music, they have other things to bond over. Post and Gordon are both mothers of young children. But not everyone is keen that band is getting back together. Before getting on the phone to do interviews and putting her kids to sleep, Gordon got a teary protest from her seven-year-old daughter.

“She said, ‘Mommy, why do you have to get the band back together again? Why do you have to make music again?’ The idea that I have things to do, that we’ve gone on tour, we’re going to Australia for two weeks…”

But for Post and Gordon it’s a second chance, a happy miracle

“We were young when we met and we had a very intense ride together. We split up in a very dramatic way and we never talked it through. So there was all this unresolved stuff, then time went by and it’s true about time healing all wounds.

“We were always yearning for that bond that we had with one another, and harmonising together was always special for the first day in 1991 when we met and were playing acoustic guitars in the living room. That was always something that was really precious and we just kind of trashed it. We trashed that whole aspect of our lives over something petty and personal, so I think we both with time realised this is ridiculous, life is too short.

“It really was a big surprise and a gift, not just in terms of what we are now able to do with one another musically, but also just in terms of life and perspective and the whole world and friendship in general and the feeling that anything can happen. It’s a cliché, but never say never.”

Posted in Brisbane, Life, Music | Leave a comment

Cibo Matto: Not big in Japan

YUKA & MIHO
YUKA & MIHO

In the 1990s, Cibo Matto (“crazy food” in Italian) were an alternative band formed by two friends from Japan who met in New York. They made the kind of eccentric, catchy music that left you tapping your feet and scratching your head.

Their debut album Viva! La Woman featured 11 songs about food (Birthday Cake, Beef Jerky, anyone?) and the duo went on to create eccentric musical dishes for the next several years. With a heavy cult following, that included numerous famous fans, Cibo Matto even appeared on TV show Buffy the Vampire Slayer, performing at the fictional nightclub, The Bronze, with Buffy and Xander in attendance.

Now after 10 years apart, the girls are back together and making music as quirky and interesting as ever. Their new album Hotel Valentine is a concept album about a haunted hotel, with song titles including 10th Floor Ghost Girl, Empty Pool and Housekeeping.

“I think in some way all the albums are concept albums,” says Yuka Honda. “To me the band alone is a concept and then there are the things the band are thinking about at the moment.

“I don’t know what my favourite concept album is. I feel like all the music is like that. There’s always a story. When you listen to Eminem’s debut album you really feel his life, the story, how the songs came up and what’s behind it.”

Reigniting the flame with fellow Cibo Matto bandmate Miho Hatori was a real thrill. The pair have a very special chemistry they weren’t fully aware of in their youth, she says.

“We’re calling this time our second marriage,” says Honda. “Because it feels like the one in the 1990s we grew up much faster than we thought. Kind of in the way that you go out with someone in high school and you get pregnant and all of a sudden you have to start a family and jump into real life and you don’t even know if you really chose this person, you think, oh my god, things are happening. For a long time we were just trying not to drown because it was going so fast.

“After 10 years apart, we started to realise, wow, there was actually something very special about us. We don’t really find it anywhere else and it wasn’t just a coincidence and it’s something that we should take care of because it’s not something that happens in your life that often. This time we became aware of that and a lot more conscious of that.”

The two met in New York in the early 1990s, where they lived, made music and partied in the hipster hotspot of the East Village. Honda says she wasn’t really drawn to New York at first, being more of a hippy “oceans and forest and nature” type person. But it seemed fate had other things in store for her.

“I was kind of really bored in Japan and one thing led to another and ended up here. I didn’t mean to stay. But it was the only time I felt I heard a voice saying, you should go to New York, you should go to New York. So I came without knowing what it meant. And as soon as I came here, all these music related things happened and so there’s a part of me that still believes it was my fate that I came to New York.”

Talking Heads’ David Byrne was an early fan, attending one of their first concerts, and Warner Brothers records signed them on the strength of a demo cassette. Their music was an unusual cocktail of influences from all directions that made other bands seemed bland. But most of all, they were having fun. Honda remembers wild times, creative collaborations and relatively inexpensive living.

“The ’90s was the beginning of the gentrification of New York. The East Village was exciting and happening and everything was really cheap. You could go out with $10 and have a pretty good time all night. Also people were very creative. They’d get together for a party and there would be a DJ in a tree and fire and jugglers. We were creative, doing things for fun. And now you can’t really do it. There’s no space. Living is costly, certain things have definitely disappeared.

“It’s spreading out. It’s going father and father than New York. The great thing about Manhattan was that it’s a small island. It’s 4km wide, you can walk anywhere, so when it was happening here, the gravity was very strong because it’s felt like a big dormitory. You’d walk around the block and everybody was here.”

Honda still lives in an enviably cool situation now, sharing her living space with three other humans, as well as dogs and rabbits. They continue to be creative and crazy.

The band has worked with several fascinating people in their time, including The Beastie Boys, Tricky and Luscious Jackson. Their current record features the uber eccentric musician and comedian Reggie Watts, who Honda describes as “one of the most talented human beings I have ever witnessed”.

Cibo Matto also worked closely with Sean Lennon, who for a time was in the band. He and Yuka were a couple for a number of years, and remain friends. She produced his 1998 album Into the Sun, and he even took the promotional pictures for their current tour.

Yuka still works with Sean’s mum Yoko Ono, performing with the Plastic Ono Band and co-produced Ono’s 2009 record Between My Head and the Sky with Sean.

“It’s always a great challenge and a great pleasure working with her,” she says. “I have a lot of respect for her and she does things in a very unique way. When we do music together, music is just a vehicle for her expression. She’s not thinking, how am I going to play this chord in the most eccentric way? How am I going to use instrumentation in a way that nobody has? She’s thinking a lot more about what she wants to express and it’s so much about intuition, very robust raw energy with a kind of sense of transcendence attached. She doesn’t want to say how clever I am with this writing, or how interesting this use of rhythm is, she’s not interested in that. She’s interested in expressing her beliefs.”

While Cibo Matto have a huge following in the West, in their own country, they aren’t so well known. Honda says that now that she is far from Japanese culture she appreciates it more.

“When I was growing up there I hated everything Japanese. It seemed very slow and a lot of things seemed meaningless. Like tea ceremonies, where people are sitting around for an hour,” she laughs. “I was like, what the hell is this? What’s the point? Now I see the beauty of stillness and space and emptiness and waiting and attention and manner. All the things that seemed boring to me I see the meaning a lot better now I’m far away.

“It’s pretty wild. It’s a very old country and has a long history. The other part is the eternal teenager, constantly doing crazy wild things. I’m always very excited by a lot of things there, including food, TV shows, books.

“There’s a lot of underground culture in Japan. It’s very fascinating. People are not lazy so if they do something like a fanzine they’ll do an incredible amount of research and use quality paper and printing.”

As far as gender representations are concerned, Japan has both extremes, but she says in some ways women’s traditional roles are more respected than in the West.

“I think in Western countries you need to have a man’s job to be appreciated. For example, being a mother is not a job in Western countries. Being a housewife is not a job. It’s coasting. A housewife is a coaster in Western countries. But in Japan women raising children is considered a job. If you are applying for a visa and they ask you your job a lot of women will write housewife. In the Japanese financial system usually the husband will give the wife all of his earnings, and she becomes the financial minister of the house and she gives him pocket money, every day. His income belongs to both. The house is like an entity. So the woman has an important role to be a housewife. I think there’s a lot of dimension to it. You don’t really have to become a man to be appreciated.”

Honda’s own influences are far and wide, having grown up around the world. Travelling with her parents, she lived in not only Japan but Germany, Denmark and France. And in a surprise Australian connection, her brother even went to high school in Brisbane.

“I visited him there,” she says. “My parents thought it would be better for him to go to Australia than America. They wanted him to go to some English speaking country. My brother’s more athletic and not super social. They thought maybe Australia would suit him better. He lives in Japan now. He’s a yoga teacher.”

 

Posted in Adventure, Brisbane, Music, Travel | Leave a comment

Nicholas Brendon (Xander): A very bad koala

SAINT NICK
SAINT NICK

He was one of the most likeable characters on television, Xander Harris, the affable everyman, who was a rock of normality in the chaotic whirlwind of the Buffyverse. Since wrapping Buffy the Vampire Slayer in 2003, Nicholas Brendon has gone on to star in Criminal Minds, make nifty sci-fi films such as this year’s Coherence and, bonus nerd points here, even write comics. This weekend he is a special guest at Australia’s first Oz Comic Con. Ahead of his visit, we shot the shit in an amusing chat in which I learned that Nicholas Brendon is a lot like Xander Harris but likes to deliver lines that will clear out the room. And he reveals why Robert Downey Jr and Matthew McConaughey want his ass, bad.

You’re writing the comic series Buffy the Vampire Slayer Season 10 with Christos Gage. What’s it like writing Xander as opposed to playing him?

The fans love it because I’ll just riff on things that Xander would say. So I’m improving as Xander as Xander would improv, so that’s how I come up with the lines. Me and Xander are a lot alike. Our senses of humour are alike, very much so. When you’re on a TV show for seven years, writers typically will study the actors and their senses of humour, and will write like the actors, because that’s how they hear things. It makes their job easier. So Xander and I are very mano e mano.

I read somewhere that you hated Archie, which seemed funny to me and kind of surprising because Xander seems a bit like him in a way.

I was seven years old and I received this comic book and I just opened it up and thought it was the lamest thing in the world. I thought, ‘What is this?’ Why are the kids into this stuff?’ So, I got to page four and I thought, this is just not me. I wish that hadn’t been my first comic because then I probably would have read more comics. I started playing baseball that next week.

You also made a webcomic with illustrator Steve Loter called Very Bad Koalas. Do you hope to do something similar to that again? Was that a lot of fun?

Yeah, it was. My writing partner with that, Steve, he did all the drawing too, so we would come up with the stories and then the jokes and he would draw everything. Then he got a three-picture deal over at Pixar, so his time became no-existent. I had a blast doing those 26 that we did.

He said the most outrageous and disturbing things in the strip were your ideas. Is that true?

Yeah, yes… probably. Very much.

What’s your sense of humour like? Where does this stuff come from?

In terms of shocking, I try to think, what’s the worst thing that could be said right now? Like, what would clear out a room? I tend to start there. And then if there are kids in the room I won’t say it, and sometimes there are kids in the room and I do say it. Sometimes when I do Q&As, I will always start my panel by having a disclaimer, saying to parents and kids that I just want you guys to know that I work blue so if there are any kids in the audience go f–k yoursevles. That’s kind of how that happens.

That doesn’t sound too Xander.

If Xander could cut, that’s exactly what he would cut.

I wanted to ask you about the film Coherence too, which I’m really excited to see, and I read that you did it with no script. How was that as an actor?

It was challenging because we had no idea what was going on. But we were each given five to ten notes per day, because we shot it in chronological order. It makes you pay attention to everything that’s going on around you. It was a great acting exercise and it became a really great movie.

It sounds like a giant roleplaying game, to nerd out on you there.

If you’re into that sort of thing… (laughs)

So you didn’t see the ending until it was all put together?

I had no idea how it ended. I’m like, holy moly, this is awesome.

It is Twilight Zone inspired, is that right?

Yeah, 100 per cent. It really is like a great Twilight Zone episode.

Is that the sort of thing you were into growing up? What were you into growing up?

I watched Three’s Company and Chips and The Incredible Hulk, things like that. The Love Boat.

I want to ask you a question, which I ask a lot of people. I ask them if they remember their dreams, and if there’s a significant or stand-out dream that you might remember.

I had one last week where Robert Downey Jr was trying to make love to me.

You’re clearing the room now! Keep going…

He was aggressively trying to enter me. But then there was one I had about Matthew McConaughey where I got dropped off at an airport and Matthew McConaughey was there waiting for me to kill me, and then so I take off and then he takes off and then we go through this chase scene. And then when he gets to me, he kills me, and then I get up and I wake up and then I’m at the airport again. So, it’s Matthew McConaughey. So basically he chases me again, and then I get further along than I did last time and then he kills me. And then what happens is I remember every time that I die and then I’m back at the airport. So I learn his movements and then I get the upper hand on him.

Wow, what do you think that means?

Matthew McConaughey wants to make love to me.

It sounds like a movie.

It’s kind of like a screwed up Groundhog Day.

So you’re coming out here for our convention, have you been to Australia before?

Three times for work and one time I went to see my friend who was on a two-year honeymoon. We went camping and surfing.

I’m sure you’re going to get the royal treatment, but is there anyone that you fanboy out over at these events?

The only time I ever have before, there is a documentarian by the name of Morgan Spurlock and we were in Paris together doing a show. We were at the same hotel and Morgan came up to me because his girlfriend was a fan and took pictures to us. And I was talking to Morgan, and I didn’t realise how much I loved Morgan Spurlock.

As for your fans, how big is the Buffy family? Not just your characters and the people you work with, but all the people that you meet. How is it meeting these people after so many years?

I love it. The show too really helped a lot of people out through really bad times of their lives. And I hug all my fans too. I’m not sure if I’m going to be able to in Australia, because of time constraints, but I’ll give all my fans a hug and hear all their stories, so, no, I love it. It makes me happy.

Posted in Uncategorized | Leave a comment

Back for more: Pop Will Eat Itself

PWEI
PWEI

It’s been 20 years since Pop Will Eat Itself shook up Australian shores. But the UK band, who mashed up genres of rock, pop and hip hop, will be shaking it up again with a one-off show in Brisbane this week.

Founding member Graham Crabb is the man who has pulled together the new line-up, including co-vocalist Mary Byker, Killing Joke drummer Jason Bowld and Gary Numan guitarist Tim Muddiman. Crabb has been valiantly trying to make Pop Will Eat Itself happen since 2005. Then, the band performed a couple of reformation gigs in their home country, but unfortunately lead vocalist Clint Mansell couldn’t commit to further Poppies action because of his soundtrack work. Mansell, the ratty-haired frontman of the group, is now an award-winning composer, whose lengthy CV includes films such as Requiem for a Dream, Pi and Black Swan. But Crabb was undeterred.

“It’s something I wanted to do for ages really,” he says. “I tried to put the band back together but it wasn’t happening so I realised the only way I was going to get it all together was to get a new line-up.”

And it’s that PWEI Mark II that will be coming to Australia this week. But Crabb is quick to assert they are no nostalgia act. The group, whose hits include Can U Dig It? Ich Bin Ein Auslander and Def Con One, are working on a new record due in October.

“We keep banging our heads together and saying we’ve got to nail the title,” Crabb says. “We’ve got a lot of words we want to incorporate. We feel we’re close. The guys who are doing the artwork – the Designers Republic – have always done the Pop Will Eat Itself artwork. They’re wanting to know because they’ve got to do a design. So we should have it in the next day or so.”

As well as PWEI, Crabb is a member of newly formed industrial supergroup Primitive Race, which includes members of KMFDM, Skinny Puppy, The Mission and Fear Factory. Their heavy edged music combines electronic and machine-age technology to create an arresting soundscape. So, why do humans like the sound of music made by machines?

“That’s a good question,” Crabb laughs. “Why do we? I suppose it can only mirror real life. Noises are everywhere and who knows when you hear a noise what goes on inside your head, what connection does it make? A machine banging away, what does that represent? But it’s obviously something in your head trying to make sense of things you’ve heard in the past. It does somehow relate to an emotion as well.”

With the musical landscape changing rapidly, it’s difficult to know what trend will strike next. But Crabb has a theory about that.

“I think what new things do is they hone in on the detail in something. Dubstep zoomed in on that dirty synth sound. Drum ‘n’ bass zoomed in on a drum beat and the big bass sounds. Anything new in itself is taking something small and blowing it up bigger. The future is probably there already but you don’t realise.”

DOGMACHINE
DOGMACHINE

Futuristic Urban Cult was the name of seminal Brisbane industrial band Dogmachine’s one and only album. Known for their epic live shows in the 1990s, the band went underground in the early 2000s.

When Pop Will Eat Itself were looking for a support act for their Brisbane show, someone threw out the name Dogmachine. It was a name that hadn’t been bounced around in years. Singer Kraig Wilson gave it some thought. Then he gave it a lot of thought, and now the band are reforming to play with PWEI for the special one-off support show at their Brisbane gig.

Playing with the likes of White Zombie and Atari Teenage Riot in their heyday, Dogmachine had a reputation for their manic live shows – which included such diverse percussion as car bonnets and angle grinders.

“We put everything into it,” says Wilson.“We weren’t the kind of band that just gazes at their shoes. It was more of a performance.”

“When you’ve got a grinder that is one of the instruments that sets the scene,” adds guitarist Roger Menso.

Says Wilson: “We used to use a lot of metal percussion, a steel drum or a car bonnet with a pipe, that sort of thing. The grinder always got people going because it’s such an intense visual thing. If you’re in the front row and you get hit by the sparks it reminds you that you’re alive.”

Like Pop Will Eat Itself, Dogmachine were interested in the musical intersection of man and machine.

“I’ve always been interested in the fusion between the human playing and the electronics,” says Wilson. “I think they play off each other quite well. One of the things that appeals to certain people is the fact that with the technology it means you can write a whole album on your own. So it’s good for loners like me.”

While electronic music continues to evolve, something you hear less of in music these days is the sampling of quotes from films, which was big in the industrial scene’s heyday. Dogmachine sampled quotes from Robocop, Hellraiser and even Black Adder. Their 1997 album Futuristic Urban Cult is now available on iTunes and the band’s Facebook page is an archive of memorabilia and photos. Plenty of fans are now coming out of the woodwork keen to attend their show. So could this mean a future with more Dogmachine gigs?

“Initially it was just going to be a one-off,” says Wilson. “But I’ve been surprised at how much interest it’s generated. How many people have gotten excited about us playing again.

There’s a few things possibly on the horizon. It’s a possibility.” Futuristic Urban Cult is available on iTunes. Pop Will Eat Itself and Dogmachine perform with Monster Zoku Onsomb at the Zoo, Brisbane, on September 5.

Posted in Brisbane, Music | Leave a comment

Living through this: From Hole to Upset

CLEARLY UPSET
CLEARLY UPSET

Former Hole drummer Patty Schemel is back on the drum kit, smashing it up with one of the coolest bands around – all-girl punk outfit Upset.

But it wasn’t so long ago that she was on an altogether different path. Schemel, far right, rode the highs and lows of a life of drugs and rock ‘n’ roll, touring the world with the brilliant but messy rock band, Hole, fronted by the brilliant but messy Courtney Love. She saw her good friends, including Kurt Cobain, succumb to suicide and addiction – and nearly lost her own battle with heroin, which led to a life on the streets.

She documented her journey in a film Hit So Hard, which came out in 2011. The acclaimed film featured interviews with Hole members Love, Eric Erlandson, Melissa Auf der Maur and many others, plus reams of archival footage that Schemel shot during Hole’s world tour in ’94 and ’95.

Making the film was a cathartic process. “Just going back through all the footage was like going into a time machine,” says Schemel, now 47.

“When we started doing that film I wasn’t playing music at all. I didn’t want to play music. Slowly through the experience I started playing. It was good to reconnect with them (Hole) and then through the process make some art out of the experience and to tell my story.”

The mid-’90s were an intense time. In April 1994 Kurt Cobain died of a self-inflicted gunshot wound in his Seattle home. His widow, young mother Courtney Love and her band were faced with a tough decision: to give up or go on. Their acclaimed album Live Through This was released just four days later, and two months later, Hole bassist Kristen Pfaff died of a drug overdose.

The band plunged into the only thing they knew how to do well: play music. They embarked on a world tour in August.

“It was chaotic and also it was such a tough time just because it was our first tour after Kurt and Kristen had died,” says Schemel. “We hadn’t sorted out anything. We just had these shows to play. We needed a bass player and we just went out and did it. There were days that were really hard and days that were amazing. But for a lot of it, I was just out of my mind on drugs or drunk or whatever.

“There were moments that were really special but now thinking back and looking at it it’s nice to play music as an adult, but also to be a sober adult, to be able to experience everything, and to do something – all of that pressure and anxiety and extreme joy and happiness, I know how to sort through it all now.”

The lowest point came for Schemel when she was replaced by a session musician on the band’s album Celebrity Skin. A blow to her confidence sent her further down the path of drugs and eventually to the streets.

“That’s the trick of the whole thing (drugs), nothing I ever saw, or any warning, nothing worked; the only thing was losing everything and just wanting to try one more time to live again. That was the wake-up call. I can’t live anymore this way.”

While it was a challenging time, there was also plenty to celebrate in the 1990s. It was an amazing era for women in rock. Girls were forming bands like never before, picking up not only microphones, but guitar and bass and drums. Female driven bands were hitting the mainstream of punk, pop and rock, getting high rotation on MTV, with many, like bands in the Riot Grrrl movement, directly pursuing a feminist agenda.

“That was a great time for women in music,” says Schemel. ”I’d like to see more bands like Bikini Kill addressing feminist issues.”

While they may not be as visible as before, girls are still rocking it loud. Schemel name-checks bands like Dum Dum Girls and Potty Mouth. Performing with a new generation of talent is a lot of fun. Ali Koehler and Jennifer Prince of Upset were both Hole fans before they hooked up with Schemel. The band formed in a very 21st century way, with singer-guitarist Koehler contacting Schemel over Twitter. They bonded over a similar musical allegiance.

“It’s just fun to play punk rock, fast music with some melodies, and to play with other women,” says Schemel.

Now Schemel’s life is very different. She also teaches drums and volunteers at the Rock Camp for Girls in Portland, Oregon. The kids inspire her as much as she inspires them. It reminds her of when she first started out. “I wanted to play the toughest thing I could think of so I started playing drums and got into punk rock,” she says.

UpsetPosterSchemel is also happily married and has a three-year-old daughter Beatrice with her wife Christina. Her life may have mellowed considerably, but she is still a rockin’ mum.

“I think (our daughter) thinks that all other mums drive around with vans full of drums. But she knows that I go play shows. Me and Ali and Jen from Upset put together a song for a fundraiser for her pre-school.”

Since releasing Hit So Hard, plenty of people have thanked Schemel for sharing her story. It has made an impact with many, including the gay and lesbian community, musicians and their fans, and addicts in recovery.

“That was one of the things about the film that was important when I was travelling around and doing the Q&As afterwards,” says Schemel. “Telling the story connected with people. You can get through it.”

Poster art by Jase Harper who will be appearing at the Zine and Indie Comics Symposium, August 29-31.

Posted in Life, Music | Leave a comment

Totally bottomed: Rik Mayall, a tribute

THE PEOPLE'S POET
THE PEOPLE’S POET

I was obsessed with Rik Mayall when I was a teenager. He was my first ever proper crush. When people went to school with pictures of Johnny Depp and Keanu Reeves on their homework diaries, mine was covered in Rik.

I don’t know why I liked him so much, when there was so much more “obvious” fare available to teenage girls. I think it was because he was so intelligent. Humour is intelligence. And who can’t be joyful when they’re being made to laugh?

He wasn’t just funny and smart, he knew shit: to create a character like Rick in the Young Ones, you had to be in tune with youth culture, music, politics. Rick, the character, was a twat, sure, but inside there was a softness, and I couldn’t help but have a sense of only child solidarity: yeah!

When I was 15 I bought the complete set of the Young Ones on video (yes, I had a video). It cost me $120. A friend said: “You’ll regret that.” I never did. We watched them over and over. My friends quoted them endlessly at school. Typical teenage girls, we were each betrothed to someone in our heads. Eireann’s man was Keanu Reeves, Helga’s was Alec Baldwin and mine was, slightly odd as usual, Rik Mayall.

I didn’t remember him so well when I watched the Young Ones as a kid. And I have a theory that that’s because he’s too complex a character for kids to grasp. They remember the orange-haired punk and the long-haired hippy, but a badge-wearing political poet? What is he on about? He was the most sophisticated and interesting character on the show.

He was sexy too: those stove-pipe jeans, tight jackets, badges galore, strange pig-tails in the hair and the red boots. Oh, those red boots. And he was actually pretty handsome when he wasn’t screwing his face up in a grotesque expression.

Of course, I’m describing the Young Ones Rik, but I also fancied all the other Riks. I remember when I first saw Drop Dead Fred with my family. I sat in the car for ages afterwards feeling “strange”. Did I have a crush on this dreadful imaginary creature? How could that be possible? His storytelling in Grim Tales was unique and wonderful. I remember sitting cross legged in front of the TV after school one day when I noticed he was wearing a wedding ring. I fell backwards to the floor. I guess our promised love was not to be. After I got into the Young Ones, I went back and found every back catalogue item he ever did – the obscure stuff like The Dangerous Brothers and Kevin Turvey Investigates. And this was before the days of the internet.

Now I’m older, I actually think he looks quite good in the Bottom years. Yes, yes, I know, but I have a thing for floppy hair, and beneath the stained y-fronts there beats a heart of gold, or at least of slightly tarnished silver.

Then, of course, there was that terrible quad-bike accident, that took him away from us for a while, when we first nearly lost our comedic hero. In some interviews he did for the Young Ones DVD box set and he made light of his ordeal, clutching his long hair and telling us that he nearly died, but “came back as Jesus”.

I wish he would come back now.

There’s something beautiful in someone who will happily make himself ugly. When most of us are obsessed with being pretty, there’s something cool about someone who’s unafraid to be unattractive and vile. As Rik laughed at himself and we at him, he was really letting us laugh at ourselves. We have a little bit of Rik in all of us. Or as I like to say, even the people at the top have a bottom.

Rik brought us intelligence, wit, sensitivity and awareness – all masked in a slapstick package. The types of characters he played may have seemed base, but they were in fact complex, social rejects who had an inner code of their own.

I guess that’s why I liked him. I suspect I am drawn to lovable losers. People who are overlooked by the rest of the world, but have unique, attractive qualities. (No offence to my past lovers.) Even the main character of my magnum opus is a lovable loser. I’m drawn to the gems hidden in the rubble. People who shine where the light doesn’t. Frogs who you may kiss and they end up staying frogs, but who says a frog ain’t cute anyway?

TOTALLY BOTTOMED
BOTTOMED

Of course, the real Rik was a huge success, a comedy genius who won the hearts of many, not just mine, not a loser at all, but someone who reflected part of ourselves back to us: the unwashed side, the grimy side, the funny side, the exaggerated side, the human side. I’m very glad he existed, even if it wasn’t for quite long enough.

I’ll leave the last words to the People’s Poet: “I feel sorry for you, you zeros, you nobodies. What’s going to live on after you die? Nothing, that’s what! This house will become a shrine! And punks and skins and Rastas will all gather round and all hold their hands in sorrow for their fallen leader! And all the grown-ups will say, ‘But why are the kids crying?’ And the kids will say, ‘Haven’t you heard? Rick is dead! The People’s Poet is dead!’ And then one particularly sensitive and articulate teenager will say, ‘Why kids, do you understand nothing? How can Rick be dead when we still have his poems?’.”

Posted in Life | Leave a comment

Gary Numan speaks

Gary Numan
MAN OF THE HOUR

Gary Numan was in fine form for his run of Australian shows on the back of his Splinter record, striking lightening like poses in true rock star style.

He didn’t say much, but then he didn’t need to. “I was going to say he’s not much of a conversationalist,” I said, turning to my companion during the show, “but then I remembered actually he is.” That’s because I was lucky enough to have an actual conversation with him. He is a truly lovely bloke and one of the most generous interviewees I’ve had in a while, opening up about depression, his wife’s post natal depression and how music is better therapy than drugs.

Here is the story that originally appeared in the Sunday Mail, followed by a bonus surprise ‘how we made Gary laugh’ outtake at the end…

***

HE MAY be a master of moody, dark wave electronic a, but the place that British musical pioneer Gary Numan now calls home is sunny, friendly California. He moved there 18-months ago after he and his family got sick of life in dreary old England.

“It’s fantastic actually. I absolutely love it,” the 56-year-old says from his home studio. “I’ve gone from somewhere that’s quite rainy and grey and miserable and now I’m somewhere that’s just sunny all the time and it’s friendly; there’s the ocean and palm trees; we’ve got a swimming pool, so the kids are really happy. It’s just a totally different life from the one we had back in England and honestly I feel bad for saying I love it so much but I do.”

But that doesn’t mean he’s going to start writing sunny happy records, he promises with a chuckle. In fact, his latest record, Splinter, is anything but – it’s a dark, sexy record that comes from the depths of a troubled place – when he was dealing with a deep depression. Numan has released 20 albums since his first with Tubeway Army in 1978, topping the charts with early hits like Cars and Are Friends Electric? But now critics in the UK are calling Splinter his best album yet.

The album’s subtitle is “songs from a broken mind”, and it talks about the years following his wife’s post natal depression and his own battle with the dark side.

“I was diagnosed with depression in 2008 and that’s where the title comes from,” Numan says. “I spent the next three or four years dealing with that. Initially you’re dealing with the problem itself and then you’re dealing with the cure. The cure they give you is almost as bad as the problem itself, and then you have to get round that. I didn’t write a song for at least three years and I was really in trouble. My marriage was in trouble, my career was in trouble. I had people around me telling me that I really had to get my shit together, and I just didn’t care. That’s because of the cure; the cure stops you from caring about anything. So it’s a very dangerous thing.”

White psychiatric medicine didn’t help him, writing songs proved to be the beginning of the way out. And the resulting album is anything but depressing: it’s strong, exciting, heart-racing, an epic triumph against inner demons, full of distorted dance beats and catchy hooks.

“I think writing about it helped me get through it,” Numan says. “I feel completely unscathed by it. There are no scars or damage whatsoever. In fact I think I’ve come out of it nicer than I was before.”

And one person who might agree with that statement is his wife, Gemma O’Neill. Gemma has stuck by Gary for 17 years, or even longer if you count the years when she was a member of the young pop star’s fan club. Their unique story began when she first got an autograph from Gary when she was 12 years old. They met again in her 20s, and married five years later. They now have three children together, Raven, Persia and Echo.

“I’d known who she was for a long, long time and it was only when her mum had died that we sat down and our first ever proper conversation and it was through that that we got together,” says Numan. “So it was a really sad beginning but it ended up being the most amazing relationship I could have ever wished for; with all the ups and downs it’s gone through, I couldn’t be more happy. I’ve never been more happy since the day we started seeing each other.”

And rock star Numan knew what he was talking about when he finally met “the one”.

“In a horribly macho way, I went through a lot of people before I found the one that I really wanted,” he laughs. “I don’t mean it in a showing off way but it’s really important. I think an awful lot of people settle. I was absolutely convinced that this was the right person for me, when I found her I never looked at anyone again. I’m very faithful. None of that midlife crisis crap. I’ve been absolutely happy and contented and fulfilled since I met her.

“She was the first one I wanted to talk to when I had some good news, the first one I wanted to be with when I had some bad news, and my absolute best friend that I’ve ever had and it’s never gone away.”

Their kids, who are loving the LA lifestyle, are into very different music to their parents. “One of them’s into Katy Perry, the next one’s into Beyonce and the third one’s into Rhianna,” says their dad.

But the Numans do have some very cool neighbours. Nine Inch Nails guitarist Robin Finck lives not far away. He ended up contributing to a number of tracks.

“He and his wife Bianca are our closest friends in LA,” says Numan. “He was coming around very often when I was making the record and one particular day he just said that he’d be interested in playing on it. I was really honoured. I didn’t even have the courage to ask him if he wanted to be on it. I’m just not very confident really. I just do my own little thing and keep to myself, but when he offered I was blown away.”

The resulting record has left everyone blown away, and perhaps more than anyone, the creator himself. It’s a triumphant ending to a difficult period for Numan.

“You go through something  very seriously unpleasant and at the end of that come up with an album that many people have said is the best thing I’ve ever done,” he says. “It’s pretty cool to be in this stage of my career and having those sorts of comments made about it especially when it’s come out of such a horrible place. So sometimes I think the darker things that you go through can make the most amazing artistic statements at the end of it.”

***

GARY AT THE TIVOLI
GARY AT THE TIVOLI, BRISBANE

And now for a wee bonus. In my interview we also talked about dreams, relationships and technology. My friend specifically asked me to ask about that, since Gary was quite prophetic in the late ’70s about man’s relationship to the machine. This was his reply:

“I love it to be honest. I’m very comfortable with it. I don’t have any anxieties about it whatsoever. Obviously everything that comes along there’s a price to pay. But I don’t think it’s an inherently bad thing. Like my children are not allowed to have Nintendo and iPads, I want them when we go out to dinner to sit and talk to me I don’t want them sat there on Nintendo so I think to a degree you can control the problems that come with it, certainly for children, but all in all, you can be walking down the street and just think of something and go oh I wonder what’s happening in wherever, pick up your phone and within a couple of seconds you know everything there is to know, it’s right there, I think it’s absolutely phenomenal, my work is totally based on technology, the music I make is technology.”

So Facebook friends are electric?

(Laughter) “Funnily enough I’m a bit shit at Facebook but I’m quite good at Twitter.”

Posted in Brisbane, Journalism, Music | Leave a comment

Getting intimate: Game of Thrones’ Finn Jones

SER LORES TYRELL
SER LORAS TYRELL

Finn Jones plays the ever unattainable (for women at least) Knight of the Flowers, Ser Loras Tyrell. He’s Game of Thrones’ resident “confuser”, breaking hearts on both sides of the gender divide. As the anticipated fourth season of Game of Thrones approaches and the Supanova Pop Culture Expo is right around the corner, I got to chat to the charming British actor, who will be in Australia this week. We spoke about everything from those “which character are you” online quizzes to Joseph Campbell’s theories on mythology, story and archetypes. Oh, and what his family made of “those scenes”. Here’s the transcript of my interview. Top bloke indeed.

***

Sally Browne? I love your name. That’s a serious name. Sally Browne. I love it.

There’s a lot of songs about Sally Brown. Old sea shanties and the like.

So you’re the fantasy of every pirate then?

That’s right. I think she was some sort of Creole girl in the 1700s or something. If you’re into music you should check out the compilation Rogue’s Gallery. It was co-produced by Johnny Depp and has all these actors and singers doing traditional sea shanties. The Sally Brown song is on there.

I’ll definitely check it out. I’ll be thinking of you when I listen to it.

Where are you right now?

I am in Hollywood being driven around by my chauffeur as I’m taking these calls.

The life of a knight.

I’m telling you, it’s hard work.

What are you doing in LA?

I’m living here at the moment. I’ve moved here for three months, auditioning for movies and TV shows, saying hello to be people and actually just chilling out here as well. Getting a bit of sun. Getting away from the London smog and drizzle back home.

You’re coming to Australia for Supanova. Is there anyone at the convention you’re keen to catch?

Oh my God, yes, do you watch Adventure Time, that kids cartoon show? I’m absolutely obsessed with it. I’m a hardcore Adventure Time fan, so the idea that both Finn (Jeremy Shada) and Jake (John DiMaggio) are going to be there is totally blowing my mind. I’m definitely going to fan-girl out. I’ll be crying, screaming, fainting, crawling at their feet.

There’s two Finns?

Yeah, Finn the actor and Finn the cartoon character.

Tell us about your fans.

Do you know what, I get nothing but love. It’s really nice. I’ve never had a bad fan experience. I’ve never had anyone say anything nasty to me. It’s always been good positive vibes, which is really nice. I go to a lot of these conventions and wherever it is in the world I always meet a lot of nice people who say nice things. And they’re really intelligent as well. They’re not just mindless, stupid fans. They’re really thoughtful and they always have something intelligent to say about the show.

What about love letters? You must get a few love letters, from both genders.

From both genders, yes. I love the fact that I get male love letters and girl love letters. I got quite an x-rated one the other day, which was quite full on. But it’s all fun and games.

You’re obviously not prudish, to have done some of the scenes you did, what was your mum and dad’s reaction to all of that?

Oh my God, well, it wasn’t so much my mum and dad’s reaction, rather my grandparent’s reaction. I kind of just don’t speak to them about it. They just say, oh, saw you on that television show the other day, good work. Thank Gran, thanks Grandad. A bit awkward, but they’re proud of me so that’s fine.

You grew up in Bromley, what did your parents do?

My dad works in the police and my mother is now a foster carer. They’re very nurturing, lovely people, they’ve all been very pro me doing what I do, lots of support, which is nice.

What’s it like on the set of Game of Thrones, who do you tend to hang out with?

Kind of everyone really. There’s a really good family vibe on set. I’m not saying this just to say it but I genuinely mean it. Everyone that comes on the show are really amazing people. It’s great to hang out with them. I’m really good friends with Gwen (Christie) who plays Brienne, and Alfie (Allen) who plays Theon. I always say it’s one of the best things about the show. Not only is it a hit TV show which is being seen by millions of people and allows me to do really good work, also it’s connected to really nice, wonderful people who will become lifelong friends.

What do you do in your downtime on set?

You stand around, maybe in the Greenroom playing games on our iPads. It’s nice in Croatia you get to go down to the old town, have some nice meals, go to the beach. When you’re stuck in Belfast it’s a little bit wetter but there’s always a nice vibe to catch with everyone. When you’re going on to a new season it always feels like you’re returning home. It’s always nice to see everyone.

Have you done one of those Game of Thrones ‘who would you be’ quizzes? I got Khaleesi, by the way.

Khaleesi! Nice. I think I’d be most like… I don’t know who. I’d like to think I’d be like Bran, Bran Stark. I think I relate to him most out of all the characters. He’s my favourite. That’s who I want to see on the Iron Throne. I want to see Bran and Hodor side by side, ruling the realm. I think they’d do a good job.

Is there someone you’d like to play?

I quite like the badies. I like Jofrey. I like Theon. I think they’d be characters that you could really get your teeth into, but personally Bran’s my favourite.

I see from your Twitter post that you’re a fan of (mythologist and author of The Hero with A Thousand Faces) Joseph Campbell.

I’m a massive, massive fan of him.

Game of Thrones has so many heroes and so many journeys. How do you think it follows the hero’s journey pattern?

Wow. I don’t know actually. It’s really difficult to tell the hero’s journey because the journey hasn’t finished yet in Game of Thrones. And I thought about Loras’s hero’s journey, and Loras doesn’t have a typical hero’s journey. What’s interesting about Game of Thrones is it doesn’t use the typical hero’s journey formula – like Ned Stark being beheaded. And I think in today’s day and age when we don’t have any modern day mythology to relate to and to see ourselves through, that’s why people are allured to it because it’s not conventional. As an actor, I’ve only started reading Joseph Campbell in the past seven months. I’ve read the book and listened to all kinds of audios and interviews and all that kind of stuff. Personally, as an actor I’d love to be given a role that fulfilled the whole hero’s journey, the whole arc, but a lot of the characters don’t fulfill the archetype. But again, I think that’s why it’s so popular. We’re in a day and age when nothing is perfect anymore and we need a new mythology for our times.

I think maybe out of everyone, Tyrion embodies the hero archetype. He’s the outsider, he tries to do the right thing, he gets beaten down, all that kind of stuff, so I think Tyrion is the true hero of the story.

What do you love outside of acting?

I love books. Joseph Campbell’s one of them. I’m hugely into music – hopefully when I’m in Australia there’ll be some good bands to see. I like nature. Outdoorsy things. It sounds like Australia is the perfect place for that. I love to go exploring and getting lost in the world. I like people as well. I’m a real people person.

Go meet him in person at Supanova, Gold Coast, April 4-6, Melbourne, April 11-13.

Posted in Adventure, Geeks, Journalism, Life, Television | 1 Comment

Jill Thompson: Sandman to Scary Godmother

FUN SIZE
MORPHEUS FUN SIZE

She has been headhunted by Neil Gaiman for his Sandman series and was one of the first female artists to draw Wonder Woman for DC. She has also created her own lovable characters Scary Godmother and Magic Trixie. And next week she is coming to Australia for the Supanova Pop Culture Expo.

When Jill Thompson first started getting into comics in her native Chicago there were few women artists. Now tons of GIRLS (look them up in your creature guide) have been inspired to make as well as consume comics, myself included.

Growing up on a diet of Archie and X-Men, Thompson knew it was something she wanted to do from an early age and it wasn’t long before she made it her career. Known for reinterpreting Gaiman’s Sandman characters as the uber-cute Little Endless, she has also won awards for her own Scary Godmother series of books and cartoons – and soon to be doll! Her latest Beasts of Burden comic also just hit the shops.

Ahead of her visit to Supanova I got to chat to the lovely Jill Thompson and discovered she is much more than just “the girl who can draw”. Here she talks about how she got into the art form and how Neil Gaiman decided she was good enough to wait for.

“Way back when I started drawing comics there were very few women who drew comics. My foot in the door was I was easy to remember because I was ‘that girl who wanted to draw comics’. Where everyone else was a bearded bespectacled guy with a plaid shirt and a portfolio, I was the girl that was showing her portfolio. And that I think got me remembered. There were only a few of us girls and some of us still get mistaken for each other even though we don’t look anything alike.

“When I was a teenager I wanted to work for Marvel comics. I wanted to draw the X-Men. I also wanted to draw Snoopy. I told my mum when I grow up I want to draw Snoopy and she set me straight and said the reason you get to see Snoopy is because someone draws him. If you want to draw a comic you have to draw your own. I then started drawing comics that were similar to Snoopy. I then discovered Archie comics and loved those. And then because I really liked comics my father started bringing them home for me. On certain Fridays I would see him come home from the train and he had a little green bag under his arm and that meant he’d been to the newsstand.

“He would pick them out. He brought home what I considered scary comics at the time – and scary comics were superhero comics – because there was always a guy grimacing on the front or beating someone up. Every day my brother and I would come home from school and read them over and over and over, so that just by looking at the covers we’d know all the stories inside.

“It was somewhere between the Archie comics and the X-Men that I fully committed myself to this is what I’m going to do when I grow up. Some recommended I go to art school and I took their advice. I got a job while I was in art school for a company called First Comics. There was no big a-ha moment. It was kind of working for small companies and then working my way up to a large company.

“Happily one of the first things that I worked on at DC comics, the second thing that I worked on there, was Sandman with Neil Gaiman. While I was working on Wonder Woman Neil had seen my work when he was in the office and he really liked it. He wanted to work with me and my editor at the time said no, she has a contract so she can’t do this. And he kept patiently waiting till my contract was up. So I could do the Brief Life story line and that’s when I became someone whose name was recognised for something.

“There are more female creators now. It’s changing because the readership is changing. People at conventions, it’s a pretty good mix, sometimes 50/50. Sandman has always had a huge female readership and I’ve found that people who read Scary Godmother and Magic Trixie are a huge mix. Which is exactly what I wanted. I wanted it to be little kids, their parents, grandparents, both boys and girls. I just wanted to make fun comics that everyone can enjoy. I think I have accomplished that with my creator-owned work.

ARTIST JILL THOMPSON
ARTIST JILL THOMPSON

“There are so many more women doing comics. When I started there were a handful. You could count them on one hand and I would include myself. But now there are many, and there are so many women doing their own webcomics. The internet has created a fantastic venue for comics in general. I’ve also been lucky because some girls that have come up to me who have created their own comics have told me that the reason that they’re doing what they’re doing is because I was there – and it makes me feel that those are my girls and those are my children. I’m glad that I loved comics enough that that made me want to do comics, so my comics were there when they liked comics, so they knew that girls could do it.”

Jill Thompson

Posted in Brisbane, Comics, Geeks, Journalism | Leave a comment